BIBLIOGRAPHY
2024
Sures, Lynn and Michelle Samour. Radical Paper: Art and Invention with Colored Pulp. Ann Arbor, MI: The Legacy Press, 2024
2019
Ofri, Danielle, ed., Bellevue Literary Review: A Good Life, New York: Department of Medicine, NYU Langone, Fall/Winter, 2019: cover.
2018
The FLAG Art Foundation, 2008-2018, New York: FLAG Art Foundation, 2018: 29, 151, 178, 179, 263.
Mr. Chow: 50 Years, Beverly Hills, Mr. Chow, 2018: 58-59.
2016
Homeward: Selections from the Wieland Collection, Atlanta: The Weiland Collection, 2016: 296-297.
2015
Della Monica, Lauren P. Bodies of Work: Contemporary Figurative Painting. Atglen, PA: Schiffer Publishing, Ltd., 2015: 216-221.
Goergen, Stacey and Amanda Benchley. Artists Living with Art. New York: Abrams, 2015: 38-49.
Rosenfeld, Jason. River Crossings: Contemporary Art Comes Home. New York: The Artist Book Foundation, 2015: 100-101.
Sundell, Margaret, ed. Portraits from the École Des Beaux-Arts Paris. New York: The Drawing Center, 2015: 16-31.
2014
McCann, Margaret , ed. The Figure: Painting, Drawing and Sculpture. New York: Skira Rizzoli, 2014: 71.
Pfeiffer, Kristell, ed. 100 Views on Contemporary Art. Santiago, Chile: Imprenta Maval, 2014.
DISTURBING INNOCENCE. New York: The FLAG Art Foundation, 2014: 15.
Mintz, Ally, ed. Look At Me: Portraiture From Manet to the Present. New York: Leila Heller Gallery, 2014: 35.
2013
Louden, Sharon. Living and Sustaining a Creative Life: Essays by 40 working artists. Chicago: Intellect, The University of Chicago Press, 2013: 194-202.
2011
Will Cotton: Paintings and Works on Paper. New York: Rizzoli New York, 2011.
2009
Fig, Joe. Inside the Painter's Studio. New York: Princeton Architectural Press, 2009: 44-51.
2008
Signs of the Apocolypse/Rapture. Chicago: Front Forty Press, 2008.
WALL ROCKETS: Contemporary Artists and Ed Ruscha. New York: The FLAG Art Foundation, 2008: 92.
2007
Mercurio, Gianni and Demetrio Paparoni. TIMER: Intimita/Intimacy. Ed. Milan: Skira Editore S.p.A /La Triennale de Milano, 2007: 114-115.
In Monet's Garden: Artists and the Lure of Giverny. Columbus, OH: Columbus Museum of Art 2007: 108.
I WANT Candy: The Sweet Stuff in American Art. New York: Hudson River Museum, 2007: Cover, 14, 25.
La Gastronomie Dans L'Art: De La Peinture Flamande à Andy Warhol. Paris: Hotel Dassault, 2007.
Herrmanns, Ralph. NEW YORK, of course. Stockholm: Wetterling Gallery, 2007: 98-103.
Segal, Richard D. and Monica M. Segal. Contemporary Realism: The Seavest Collection. Portland: Collectors Press, 2007: 52-53.
Salomon Contemporary Summer 2007. New York: Salomon Contemporary, 2007.
2006
40 ans: Galerie Daniel Templon. Paris: Communic'Art, 2006: 616-617.
Between the Lines: A Coloring Book of Drawings by Contemporary Artists. New York: RxArt, Modern Publishing, 2006.
Farthing, Stephen. 1001 Paintings You Must See Before You Die. New York: Quintet, 2006: 918-919, 929.
2005
Richer, Francesca and Matthew Rosenzweig. No.1: First Works by 362 Artists. New York: D.A.P./Distributed Art Publishers, Inc., 2005: 93.
Will Cotton: Paintings 1999-2004. Paris: Galerie Daniel Templon, 2005.
Will Cotton: Paintings and Works on Paper. Los Angeles: Michael Kohn Gallery, 2005.
2004
XXXVIII PRIX International D'art Contemporain de Monte-Carlo. Monte-Carlo: Fondation Prince Pierre de Monaco, 2004.
Art in Embassies Program: 40th Anniversary. Washington D.C.: U.S. Department of State, 2004.
Das Gross Fressen: Von Pop bis heute. Germany: Kunststiftung, 2004. 96-101.
Hors D'oeuvre: Ordre et Desordres de la Nourriture. Bordeaux: Musee D'art Contemporain de Bordeaux, 2004: 84-85.
2003
Ebony, David and Jane Harris, Frances Richard, Martha Schwendener, Sarah Valdez, Linda Yablonsky. Curve: The Female Nude Now. New York: Universe, 2003: 58-59.
2002
Art in Embassies Program. Paris: U.S. Embassy of Paris, 2002: 14-15.
Lucie-Smith, Edward. Art Tomorrow. Paris: Finest S.A/ Editions Pierre Terrail, 2002: 56.
Reddy Young, Tara. SAM Collects: Contemporary Art Project. Seattle: Seattle Art Museum, 2002: 53.
Art on the Edge: 17 Contemporary American Artists. Washington D.C: Art in Embassies Programs Bureau of International Information Programs n.d.: 21-23.